Your search for “Ron Peck” found 47 results.
1. CROSS-CHANNEL (2008) Intro - Ron Peck
http://www.ronpeck.com/cross-channel-introA film set on the cross-Channel ferries was an idea François Théault and I had discussed since first meeting in the 1970s. François was from Caen, in Normandy, and I was from London. Read more.
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https://www.ronpeck.com/fighters-creditsFIGHTERS > CREDITS I was riveted to my seat. — CHARLIE MAGRI FIGHTERS UK, 1991 100 minutes Colour & B&W CREW Writer, Director Ron Peck Producer Mark Ayres Lighting Camera Carl Ros...
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https://www.ronpeck.com/real-money-videoREAL MONEY > VIDEO Recorded in 2008, Ron Peck recounts how he and Mark Ayres made Real Money , how they worked with the actors and the incredible reaction to the film when it was shown on C4 te...
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https://www.ronpeck.com/real-money-creditsREAL MONEY > CREDITS Took my breath away. I thought… Is this real? Is this acting? — C4 VIEWER REAL MONEY UK, 1995 75 minutes Colour CREW Director Ron Peck Prod...
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https://www.ronpeck.com/fighters-introFIGHTERS > INTRO INTRODUCTION Fighters was completed in 1991 for Channel 4 Television. It was commissioned by Alan Fountain for the Independent Film & Television slot and the brief was &lsq...
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https://www.ronpeck.com/fighters-imagesFIGHTERS > IMAGES PHOTO GALLERY (B & W) Set-1 – Introduction Jeff Ayres was the professional photographer engaged to take stills for the film. Several days were spent in a studio at t...
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https://www.ronpeck.com/tests-experimentsTESTS & EXPERIMENTS INTRODUCTION I think you should always experiment, try out new ideas, test yourself. You might succeed. You might fail. But you have to try. Sometimes, looking...
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https://www.ronpeck.com/archive-introductionTHE ARCHIVE INTRODUCTION When you make films or videos you generate an enormous amount of material – at least I do: videotapes on every possible format, photographs, scripts, research notes,...
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https://www.ronpeck.com/real-money-imagesREAL MONEY > IMAGES PRODUCTION STILLS Our budget on Real Money didn’t stretch to having a stills photographer on hand for every day of the shoot. In fact we engaged photographer Hug...
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https://www.ronpeck.com/real-money-introREAL MONEY > INTRO INTRODUCTION It was boxer Bradley Stone who suggested the idea that ultimately became Real Money when, soon after making Fighters , he said there was another side to li...
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https://www.ronpeck.com/newsNEWS November 2016 WEBSITE LAUNCH With this new website I take my first tentative steps into the wholly digital world, led by specialists, to create a platform for old and new work, an archive, a ...
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https://www.ronpeck.com/contactNEWS November 2016 WEBSITE LAUNCH With this new website I take my first tentative steps into the wholly digital world, led by specialists, to create a platform for old and new work, an archive, a ...
14. REAL MONEY (1995) Script outline - Ron Peck
http://www.ronpeck.com/real-money-outlineThis ‘Script Outline – First Draft’, then titled Once Upon A Time in East London, was written in early September 1994. Sign up for free to read the outline and receive updates and notifications of screenings & exhibitions.
15. CROSS-CHANNEL (2008) Director's Notes - Ron Peck
http://www.ronpeck.com/cross-channel-notesThe first attempt to put the story together that became Cross-Channel. Sign up for free to read the director's notes. We will also send you updates when more material is available on this site and let you know about screenings & exhibitions.
16. CROSS-CHANNEL (2008) Film Proposal - Ron Peck
http://www.ronpeck.com/cross-channel-proposalThis was the first attempt to outline what Cross-Channel might be like as a film. Sign up for free to read the proposal. We will also send you updates when more material is available on this site and let you know about screenings & exhibitions.
17. CROSS-CHANNEL (2008) RON PECK
http://www.ronpeck.com/cross-channel-videoAn account of how and why Cross-Channel was made is summarized elsewhere on this site but as part of trying to explain the processes behind improvisation and why I enjoy working with non-professionals, I’m including here video from some of the acting workshops with Mark Tibbs and Alan Milton that helped generate the film.